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Performing character in modern Irish dramabetween art and society /
正題名/作者 ： Performing character in modern Irish drama/ by Michael Lachman.
其他題名 ： between art and society /
作者 ： Lachman, Michael.
出版者 ： Cham :Springer International Publishing :2018.
面頁冊數 ： xv, 312 p. :ill., digital ;22 cm.
Contained By ： Springer eBooks
標題 ： Irish drama - History and criticism. - 20th century -
電子資源 ： 線上閱讀(Springer)
ISBN ： 9783319765358$q(electronic bk.)
ISBN ： 9783319765341$q(paper)
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260 $aCham :$bSpringer International Publishing :$bImprint: Palgrave Macmillan,$c2018.
300 $axv, 312 p. :$bill., digital ;$c22 cm.
520 $aThis book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O'Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.
650 0$aIrish drama$y20th century$xHistory and criticism.$3518860
650 0$aEnglish drama$xIrish authors$y20th century$xHistory and criticism.$3518861
650 0$aArt and society.$3158009
650 14$aCultural and Media Studies.$3404926
650 24$aTheatre History.$3408378
650 24$aContemporary Theatre.$3469933
650 24$aBritish and Irish Literature.$3408333
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950 $aLiterature, Cultural and Media Studies (Springer-41173)
Lachman, Michael.
Performing character in modern Irish dramabetween art and society /[electronic resource] :by Michael Lachman. - Cham :Springer International Publishing :2018. - xv, 312 p. :ill., digital ;22 cm.
This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O'Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.
ISBN: 9783319765358$q(electronic bk.)Subjects--Topical Terms:
518860
Irish drama
--History and criticism.--20th century
LC Class. No.: PR8789 / .L33 2018
Dewey Class. No.: 822.91099417
Performing character in modern Irish dramabetween art and society /[electronic resource] :by Michael Lachman. - Cham :Springer International Publishing :2018. - xv, 312 p. :ill., digital ;22 cm.
This book is about the history of character in modern Irish drama. It traces the changing fortunes of the human self in a variety of major Irish plays across the twentieth century and the beginning of the new millennium. Through the analysis of dramatic protagonists created by such authors as Yeats, Synge, O'Casey, Friel and Murphy, and McGuinness and Walsh, it tracks the development of aesthetic and literary styles from modernism to more recent phenomena, from Celtic Revival to Celtic Tiger, and after. The human character is seen as a testing ground and battlefield for new ideas, for social philosophies, and for literary conventions through which each historical epoch has attempted to express its specific cultural and literary identity. In this context, Irish drama appears to be both part of the European literary tradition, engaging with its most contentious issues, and a field of resistance to some conventions from continental centres of avant-garde experimentation. Simultaneously, it follows artistic fashions and redefines them in its critical contribution to European artistic and theatrical diversity.
ISBN: 9783319765358$q(electronic bk.)Subjects--Topical Terms:
518860
Irish drama
--History and criticism.--20th century
LC Class. No.: PR8789 / .L33 2018
Dewey Class. No.: 822.91099417
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