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Politics and aesthetics of the female form, 1908-1918
正題名/作者 ： Politics and aesthetics of the female form, 1908-1918/ by Georgina Williams.
作者 ： Williams, Georgina.
出版者 ： Cham :Springer International Publishing :2018.
面頁冊數 ： xi, 189 p. :ill., digital ;22 cm.
Contained By ： Springer eBooks
標題 ： Women in art - Political aspects - Great Britain. -
電子資源 ： 線上閱讀(Springer)
ISBN ： 9783319757292$q(electronic bk.)
ISBN ： 9783319757285$q(paper)
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100 1 $aWilliams, Georgina.$3429343
245 10$aPolitics and aesthetics of the female form, 1908-1918$h[electronic resource] /$cby Georgina Williams.
260 $aCham :$bSpringer International Publishing :$bImprint: Palgrave Macmillan,$c2018.
300 $axi, 189 p. :$bill., digital ;$c22 cm.
505 0 $a1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index.
520 $aThis book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
650 0$aWomen in art$xPolitical aspects$zGreat Britain.$3511768
650 0$aWomen$xSuffrage$zGreat Britain$xHistory$y20th century.$3511770
650 14$aHistory.$3170598
650 24$aHistory of Britain and Ireland.$3408355
650 24$aWomen's Studies.$3238437
650 24$aSocial History.$3408357
650 24$aHistory of Modern Europe.$3422083
650 24$aCultural History.$3417731
710 2 $aSpringerLink (Online service)$3374217
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950 $aHistory (Springer-41172)
Williams, Georgina.
Politics and aesthetics of the female form, 1908-1918[electronic resource] /by Georgina Williams. - Cham :Springer International Publishing :2018. - xi, 189 p. :ill., digital ;22 cm.
1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index.
This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
ISBN: 9783319757292$q(electronic bk.)Subjects--Topical Terms:
511768
Women in art
--Political aspects--Great Britain.
LC Class. No.: N7630 / .W48 2018
Dewey Class. No.: 704.9424
Politics and aesthetics of the female form, 1908-1918[electronic resource] /by Georgina Williams. - Cham :Springer International Publishing :2018. - xi, 189 p. :ill., digital ;22 cm.
1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index.
This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.
ISBN: 9783319757292$q(electronic bk.)Subjects--Topical Terms:
511768
Women in art
--Political aspects--Great Britain.
LC Class. No.: N7630 / .W48 2018
Dewey Class. No.: 704.9424
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