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Memory and imagination in film :Scorsese, Lynch, Jarmusch, Van Sant /

正題名/作者 : Memory and imagination in film :/ Patrizia Lombardo.

其他題名 : Scorsese, Lynch, Jarmusch, Van Sant /

作者 : Lombardo, Patrizia.

出版者 : Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2014.

面頁冊數 : ix, 244 p. :ill. ;23 cm.

標題 : Imagination in motion pictures. -

ISBN : 9780230241718 (hbk.)

ISBN : 0230241719 (hbk.)

ISBN : 9780333803325 (pbk.)

ISBN : 0333803329 (pbk.)

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020 $a9780230241718 (hbk.)

020 $a0230241719 (hbk.)

020 $a9780333803325 (pbk.)

020 $a0333803329 (pbk.)

035 $a00362228

050 00$aPN1993.5.U6$bL59 2014

082 00$a791.430973$223

090 $a791.43/L838///UM063738

100 1 $aLombardo, Patrizia.$3553311

245 10$aMemory and imagination in film :$bScorsese, Lynch, Jarmusch, Van Sant /$cPatrizia Lombardo.

260 $aHoundmills, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2014.

300 $aix, 244 p. :$bill. ;$c23 cm.

490 1 $aLanguage, discourse, society

504 $aIncludes bibliographical references and index.

520 $aLombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences. -- Book jacket.

650 0$aImagination in motion pictures.$3553312

650 0$aMemory in motion pictures.$3408650

650 0$aMotion pictures$zUnited States$xHistory and criticism.$3284108

830 0$aLanguage, discourse, society.$3471718

Lombardo, Patrizia.

Memory and imagination in film :Scorsese, Lynch, Jarmusch, Van Sant /Patrizia Lombardo. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2014. - ix, 244 p. :ill. ;23 cm. - Language, discourse, society. - Language, discourse, society..

Includes bibliographical references and index.

Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences. -- Book jacket.

ISBN: 9780230241718 (hbk.)

LCCN: 2014019982Subjects--Topical Terms:

553312
Imagination in motion pictures.


LC Class. No.: PN1993.5.U6 / L59 2014

Dewey Class. No.: 791.430973
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