切換：
- 簡略
- 詳細(MARC)
- ISBD
-
Listening to the French new Wavethe film music and composers of postwar French art cinema /
正題名/作者 ： Listening to the French new Wave/ Orlene Denice McMahon.
其他題名 ： the film music and composers of postwar French art cinema /
出版者 ： Bern :Peter Lang,2014.
面頁冊數 ： xiv, 295 p. :ill., music ;24 cm.
標題 ： Motion picture music - History and criticism. - France -
標題 ： France. -
電子資源 ： 線上閱讀(Peter Lang)
ISBN ： 9783035305883$q(electronic bk.)
ISBN ： 9783034317504$q(paper)
LEADER 02587cmm a2200241 a 450
001 314135
005 20160929151145.0
006 m d
008 140110s2014 sz ag b 001 0 eng d
020 $a9783035305883$q(electronic bk.)
020 $a9783034317504$q(paper)
035 $a00368141
041 0 $aeng
050 4$aML2075$b.M36 2014
082 04$a751.5$b23
090 $aEB/751.5///UE054259
100 1 $aMcMahon, Orlene Denice.$3561905
245 10$aListening to the French new Wave$h[electronic resource] :$bthe film music and composers of postwar French art cinema /$cOrlene Denice McMahon.
260 $aBern :$bPeter Lang,$c2014.
300 $axiv, 295 p. :$bill., music ;$c24 cm.
490 1 $aNew studies in European cinema ;$vv.16
504 $aIncludes bibliographical references (pages [277] -284) and index.
505 00$gPart I.$tThe Cahiers Directors.$tMusic and cinema in Postwar Paris: a cultural history ;$tNew Wave, new music? Film music collaborations on the Right Bank ;$tThe French new Wave: a musical revolution? --$gPart II.$tThe Left Bank Group.$tMusicalising moving photographs: the early film music of Agne?s Varda ;$tMusical 'Madeleines' in the early cinematic essays of Chris Marker ;$tAlain Resnais: 'Auteur Melomane'.
520 $a"As perhaps the most studied film movement in cinematic history, the French new Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in new Wave films is one of the most striking. Listening to the French new Wave offers the first detailed study of the music and composers of French new Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the new Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical new Wave films. However, musical innovation does have its place in the new Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with new Wave composers, this book re-tells the story of the French new Wave from the perspective of its music". Publisher.
650 0$aMotion picture music$zFrance$xHistory and criticism.$3483633
650 7$aMotion picture music.$2fast$3561908
650 7$aFilmmusik, Frankrike.$2sfit$3561909
651 7$aFrance.$2fast$3561906
655 7$aCriticism, interpretation, etc.$2fast$3393341
830 0$aNew studies in European cinema ;$vv.16.$3561907
856 40$uhttps://erm.library.ntpu.edu.tw/login?url=https://www.peterlang.com/view/product/46756?format=EPDF$z線上閱讀(Peter Lang)
McMahon, Orlene Denice.
Listening to the French new Wavethe film music and composers of postwar French art cinema /[electronic resource] :Orlene Denice McMahon. - Bern :Peter Lang,2014. - xiv, 295 p. :ill., music ;24 cm. - New studies in European cinema ;v.16. - New studies in European cinema ;v.16..
Includes bibliographical references (pages [277] -284) and index.
The Cahiers Directors.Part I.
"As perhaps the most studied film movement in cinematic history, the French new Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in new Wave films is one of the most striking. Listening to the French new Wave offers the first detailed study of the music and composers of French new Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the new Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical new Wave films. However, musical innovation does have its place in the new Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with new Wave composers, this book re-tells the story of the French new Wave from the perspective of its music". Publisher.
ISBN: 9783035305883$q(electronic bk.)Subjects--Topical Terms:
483633
Motion picture music
--History and criticism.--FranceSubjects--Geographical Terms:
561906
France.
Index Terms--Genre/Form:
393341
Criticism, interpretation, etc.
LC Class. No.: ML2075 / .M36 2014
Dewey Class. No.: 751.5 / 23
Listening to the French new Wavethe film music and composers of postwar French art cinema /[electronic resource] :Orlene Denice McMahon. - Bern :Peter Lang,2014. - xiv, 295 p. :ill., music ;24 cm. - New studies in European cinema ;v.16. - New studies in European cinema ;v.16..
Includes bibliographical references (pages [277] -284) and index.
The Cahiers Directors.Part I.
"As perhaps the most studied film movement in cinematic history, the French new Wave has been analysed and criticised, romanticised and mythologised, raising the question of whether it is possible to write anything new about this period. Yet there are still gaps in the scholarship, and the study of music in new Wave films is one of the most striking. Listening to the French new Wave offers the first detailed study of the music and composers of French new Wave cinema, arguing for the need to re-hear and thus reassess this important period in film history. Combining an ethnographic approach with textual and score-based analysis, the author challenges the idea of the new Wave as revolutionary in all its facets by revealing traditional approaches to music in many canonical new Wave films. However, musical innovation does have its place in the new Wave, particularly in the films of the marginalised Left Bank group. The author ultimately brings to light those few collaborations that engaged with the ideology of adopting contemporary music practices for a contemporary medium. Drawing on archival material and interviews with new Wave composers, this book re-tells the story of the French new Wave from the perspective of its music". Publisher.
ISBN: 9783035305883$q(electronic bk.)Subjects--Topical Terms:
483633
Motion picture music
--History and criticism.--FranceSubjects--Geographical Terms:
561906
France.
Index Terms--Genre/Form:
393341
Criticism, interpretation, etc.
LC Class. No.: ML2075 / .M36 2014
Dewey Class. No.: 751.5 / 23
- 館藏(1)
- 心得(0)
- 標籤
- 相同喜好的讀者(0)
- 相關資料(0)
發表心得