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Agnes Varda between film, photography, and art /
正題名/作者 ： Agnes Varda between film, photography, and art // Rebecca J. DeRoo.
作者 ： DeRoo, Rebecca J.
出版者 ： Oakland, California :University of California Press,c2018.
面頁冊數 ： x, 238 p. :ill. ;24 cm.
標題 ： Feminism and motion pictures - France. -
ISBN ： 9780520279414 (pbk.)
ISBN ： 9780520279407 (hbk.)
ISBN ： 9780520968202 (ebook)
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020 $a9780520279414 (pbk.)
020 $a9780520279407 (hbk.)
020 $a9780520968202 (ebook)
035 $a00325760
050 00$aPN1998.3.V368$bD47 2018
082 00$a791.43023/3092$223
090 $a791.43023/D447///UM061588
100 1 $aDeRoo, Rebecca J.$3494020
245 10$aAgnes Varda between film, photography, and art /$cRebecca J. DeRoo.
260 $aOakland, California :$bUniversity of California Press,$cc2018.
300 $ax, 238 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 205-225) and index.
505 0 $aReinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in Daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'Ile Et Elle -- Varda now: autobiography, memory, and retrospective.
520 $a"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.
600 10$aVarda, Agnes,$d1928-$xCriticism and interpretation.$3494021
650 0$aFeminism and motion pictures$zFrance.$3494022
650 0$aNew wave films$zFrance$xHistory and criticism.$3494023
650 0$aWomen motion picture producers and directors$zFrance$xCriticism and interpretation.$3494024
DeRoo, Rebecca J.
Agnes Varda between film, photography, and art /Rebecca J. DeRoo. - Oakland, California :University of California Press,c2018. - x, 238 p. :ill. ;24 cm.
Includes bibliographical references (p. 205-225) and index.
Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in Daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'Ile Et Elle -- Varda now: autobiography, memory, and retrospective.
"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.
ISBN: 9780520279414 (pbk.)
LCCN: 2017007722Subjects--Personal Names:
494021
Varda, Agnes,
1928---Criticism and interpretation.Subjects--Topical Terms:
494022
Feminism and motion pictures
--France.
LC Class. No.: PN1998.3.V368 / D47 2018
Dewey Class. No.: 791.43023/3092
Agnes Varda between film, photography, and art /Rebecca J. DeRoo. - Oakland, California :University of California Press,c2018. - x, 238 p. :ill. ;24 cm.
Includes bibliographical references (p. 205-225) and index.
Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in Daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'Ile Et Elle -- Varda now: autobiography, memory, and retrospective.
"Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history."--Provided by publisher.
ISBN: 9780520279414 (pbk.)
LCCN: 2017007722Subjects--Personal Names:
494021
Varda, Agnes,
1928---Criticism and interpretation.Subjects--Topical Terms:
494022
Feminism and motion pictures
--France.
LC Class. No.: PN1998.3.V368 / D47 2018
Dewey Class. No.: 791.43023/3092
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