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The musical work of Nadia Boulangerperforming past and future between the wars /
正題名/作者 ： The musical work of Nadia Boulanger/ by Jeanice Brooks.
其他題名 ： performing past and future between the wars /
作者 ： Brooks, Jeanice.
出版者 ： Cambridge :Cambridge University Press,2013.
面頁冊數 ： xvi, 289 p. :ill., music, digital ;26 cm.
標題 ： Music teachers - Biography. - France -
電子資源 ： 線上閱讀(Cambridge Core)
ISBN ： 9780511920646 (ebook)
ISBN ： 9781107009141 (hardback)
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505 0 $aI. The work in performance -- Nadia Boulanger between the wars -- Nadia Boulanger's musical work -- Performing the work -- II. The work in history -- The problem of concerts -- New links between them -- Tomb or treasure -- The art of assembling art.
520 $aNadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and show how her ideas relate to broader currents in French aesthetics and culture.
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856 40$uhttps://erm.library.ntpu.edu.tw/login?url=https://doi.org/10.1017/CBO9780511920646$z線上閱讀(Cambridge Core)
Brooks, Jeanice.
The musical work of Nadia Boulangerperforming past and future between the wars /[electronic resource] :by Jeanice Brooks. - Cambridge :Cambridge University Press,2013. - xvi, 289 p. :ill., music, digital ;26 cm. - Musical performance and reception. - Musical performance and reception..
I. The work in performance -- Nadia Boulanger between the wars -- Nadia Boulanger's musical work -- Performing the work -- II. The work in history -- The problem of concerts -- New links between them -- Tomb or treasure -- The art of assembling art.
Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and show how her ideas relate to broader currents in French aesthetics and culture.
ISBN: 9780511920646 (ebook)Subjects--Personal Names:
456163
Boulanger, Nadia.
Subjects--Topical Terms:
456165
Music teachers
--France--Biography.
Dewey Class. No.: 780.92
The musical work of Nadia Boulangerperforming past and future between the wars /[electronic resource] :by Jeanice Brooks. - Cambridge :Cambridge University Press,2013. - xvi, 289 p. :ill., music, digital ;26 cm. - Musical performance and reception. - Musical performance and reception..
I. The work in performance -- Nadia Boulanger between the wars -- Nadia Boulanger's musical work -- Performing the work -- II. The work in history -- The problem of concerts -- New links between them -- Tomb or treasure -- The art of assembling art.
Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and show how her ideas relate to broader currents in French aesthetics and culture.
ISBN: 9780511920646 (ebook)Subjects--Personal Names:
456163
Boulanger, Nadia.
Subjects--Topical Terms:
456165
Music teachers
--France--Biography.
Dewey Class. No.: 780.92
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